Flynn's "Danseur Noble," in which she combines a piece of driftwood with the plastic head of a doll, is a striking coupling of found objects - one a gift of nature, the other a thrown-away toy that resonates with lost innocence and the ravages of time.  The forms work together to create an expressive, emotive whole.  Every viewer may see something different in the doll's expression, but a certain toughness and stoicism - and yes, nobility - comes through, a sense of surviving despite hardships, suggested by the full extension of the driftwood's four limbs.
Doug Norris, Features Editor
South County Independent, 2011

The top painting award went to "Apparition," a haunting work by South County artist Claudia Flynn.  True to its name it depicts a ghostly figure - perhaps a distant cousin of the tortured soul in Edvard Munch's "The Scream" - whose wraith-like body looks as if it might disappear in a strong breeze.
Bill  Van Siclen, Art Critic
The Providence Journal, 2011

Flynn's paintings are not meant to resemble real people, but question what it means to exist and feel.  These portraits highlight our awareness of the living experience.  There is a sensual element in the tactility of her surfaces reminding us of our precarious nature and the corruptibility of flesh.
Beata Stepien-Liu
Artist and writer, 2010

Claudia Flynn's art can be found from here to San Francisco, in medical journals and museums, in gardens and galleries.  Her work has been recognized by many in a variety of ways, conventional and unconventional.
Patricia Ann Chaffee, Writer
Charlestown Press, 2009
The work of Claudia Flynn has for me an interesting quality - the ability to channel the deepest sort of prehistoric feelings that are able to connect she and her art to something larger, something one might call the 'universe.'
Viera Levitt
Independent Curator, 2007
The pieces are predominately dark in color, mostly brown and black, the color of mud and deep earth.  Like the first humans sketching cave walls or digging in the clay, Flynn draws on primal sources and organic materials to bring awareness of a world we inhabit but rarely understand.
Doug Norris, Arts & Living Editor
South County Independent, 2007
Flynn can make art that's personal and poetic as well as political.

Bill Van Siclen, Art Critic
The Providence Journal, 2007
Claudia Flynn's "Bird," is an elegant work not easily forgotten. But it is not merely the elegance and simplicity of the piece that makes it so memorable.  Flynn is on what might be called a "mission-quest."  She is a rarity among artists today; a true believer in the power of the mythical, and the importance of art when it comes to revealing a realm of experience that she believes many have lost touch with but all of us have access to.
Paul Forte
Artist and writer, 2007
Horsehair, human hair, animal teeth, and blood... it reads like a list of props for a production of Macbeth.  In fact, these are some of the organic materials artist Claudia Flynn employs in her artwork that articulates her fascination with ancient world cultures.  Flynn's work explores age-old practices, taboos and archetypes of the human condition.
Susan Kimmerlein, Writer
SO Rhode Island Magazine, 2007
A large contemplative photo image by Claudia Flynn emerges from the deep recesses of our collective unconscious and asks the hovering rhetorical question, "is it only through death that we can find peace?" That rings loudly to the minds ear as a Zen koan with both hands clapping.
Angelo Marinosci, Jr., Writer
Motif Magazine, 2006
You can expect a recapitulation of Flynn's ideas about the past and an introduction to her current way of thinking. You won't be disappointed by this show from a well traveled artist who likes to work with a variety of materials.  She features herself in this show as an artist and as a human being.  The works shown together create an inseparable harmony of art and life.
Ilona Niebal-Buba, Writer
Mercury Newspaper, 2005